For the Love of Podcasts: Part Two

listen-radio_2593000bI promised more podcasts, and while I aimed to deliver rather sooner than I am, I hope it's like a belated birthday wish - sweeter for not having been expected. You should start listening to Lore straightaway, and not just because it's nearly Halloween and it's the best and creepiest thing ever. Host Aaron Mahnke truly delivers on the podcast's premise that "sometimes the truth is more frightening than fiction." It's like what I imagine the child of The X-Files and Unsolved Mysteries would be like if they were sentient beings and, you know, into it.

Mystery Show's handful of episodes are responsible for making me giggle my way into profound feeling, and my trying desperately to think of something I want to know that I can't Google my way into knowing. There's a whole episode about how tall Jake Gyllenhaal is that I swear you won't be able to stop listening to, and Starlee Kine's voice half-tells the jokes for her. She's lovely.

And while it's definitely the one-of-these-things-is-not-like-the-other of the group, Ask Me Another indulges my every geeky whim. Puzzles and word games and nerd references and Jonathan Coulton. It never fails to delight.

Now, get to subscribing and never suffer another irritated run through your radio's presets only to hear commercials on every station because they're all owned by the same vile conglomerate.

For the Love of Podcasts: Part One

There's also just something really timelessly awesome about radio, right? It's always been a rare treat of a weekend when our outings coincided with a Radiolab or This American Life broadcast, so I am not entirely sure why it took me so long to start downloading podcasts to listen to throughout the week. I've  been lovingly complaining of NPR for years that it really ought to be weekend public radio all week long.

Now I feel pretty confident admitting that I am a podcast junkie.

But, I can only really dig into certain kinds, and I realized recently that there's a common element. Though I enjoy the occasional Geek's Guide to the Galaxy if I'm really interested in the guest, my taste in podcasts don't really follow my tastes in genre fiction. I enjoy curiosities and vulnerable human things, science and strife and storytelling. I can't get behind a couple of folks behind microphones just chatting about things - unless one of those two people is Neil deGrasse Tyson, because I could listen to him all day - but I love, love, love a good podcast whose hosts act more as curators for the bold, human stories of others.

Radiolab is the first and best. I can't get enough of the quirky, adventurous stories they collect, so much so that I get irritated when one of their shorts is less than twenty minutes long. Given I have about fifty episodes on my iPod at any given time, this is an unreasonable response. I've listened to this episode about autisim several times, and this one about professional wrestling, too - I'm as shocked as you are, seriously. These really never get old.

Recently I haven't been able to get enough of Snap Judgment. I love the humor and the gravity and the variety, how the stories Glynn collects really have the power to surprise me. Storytelling with a beat - couldn't be truer. The first story in the "Caught Up" episode will blow you away.

There's only one season of Invisibilia, which means it should be no trouble at all to get caught up on every single, amazing episode. Alix and Lulu have such energy, and they're fun. "The Power of Categories" is a must listen, if you can make time for just one.

Now that's a lot of links. I'll leave you to it and be back soon with more.

Eiren Lives and So Does My Pathetic Sense of Humor

Two quick, glorious, gorgeous things. First, are you ready for a cover reveal?

Because I am.

And I'm feeling coy.

Not so coy as to use elipses to excess...

But maybe the enter key.

 

 

 

 

Because this is worthy of a little silliness.

 

 

 

 

And a shameless Rocky Horror reference.

 

 

 

 

Especially when a killer cover waits in store for the patient scroller.

 

 

 

 

 

 

The Hidden Icon is a fantasy novel by Jillian Kuhlmann.

 

Alright, forgive my old school web games. At least I don't have a glittery tail on the mouse arrow. But it's gorgeous, right? I wish my monitor had a curtain so I could draw it back over and over again in a sort of weird, writerly game of peek-a-boo.

With the cover comes confidence to share the re-release date: September 1. As in, six days from now. Less than a week.

Excuse me while I marvel at my fortune. And work on affixing that curtain in between rounds of edits of The Hidden Icon's sequel.

Good News, Everyone!

Farnsworth I'll admit that optimistic though I was for a future for my writing eventually, I was ready to pack it in for a bit when my publisher closed their virtual doors. There was a whole heckuva lot going on in my personal life that required my attention, and most evenings all I could manage was popping a bunch of popcorn I had no intention of sharing and re-watching Veronica Mars or Enterprise for the zillionth time. I was still writing, sure, but I'd moved on to tinkering with a different project and dreamed of taking it just a little bit easier on myself.

But a fellow author and friend and generally fang-tastic guy Bill Blume was kind enough to offer me an introduction at the press he'd recently signed with, Diversion Books, and I suddenly found myself scrambling to polish the draft of the sequel to The Hidden Icon when they offered to re-release not only the first book, but to publish the next as well.

So this is me formally telling you that there's more to the story, and you get to read it, likely sometime next year. The Hidden Icon has a tentative re-release date much, much sooner, which I'll share once I've got a swank new cover to reveal and all of the semi-certainty that goes with it.

In the meantime, if you, like me, identified more with these guys than this guy when you were a teenager watching Lost Boys, check out Bill's Gidion Keep, Vampire Hunter series. I won't tell you to sink your teeth in because that would be lame, but know that I am totally thinking it.

Feel free to harass me to edit a chapter every time you finish reading one.

Listen Up

Loreena McKennitt is a must for getting into Eiren's head and heart. I often write to music, and the right song is sometimes the only way to slip into a place where I can actually forget the mundane and drift into the fantastic, the otherworldly, the weird. It's why most nights you'll find me at my little writing desk, studying a screen and a jam jar half-full with wine, ear buds firmly plugging me up against distraction.

What do I like to write to? Here are a few of my favorites.

There's an energy to the Yoshida Brothers' music that just makes me feel like I'm whipping over some wild and unknowable landscape.

Loreena McKennitt  is an oldie but an oh-so-goodie. "The Mystic's Dream" transports me into the secret places of Eiren's world. I actually listened to her a whole lot while writing the draft that grew up to be the first draft of The Hidden Icon. It was a different story with the same heart, but trust me when I tell you that it was a mess and you never want to read it.

If I find I need to feel some feelings, Damien Rice rarely lets me down. The Avett Brothers are pretty good for this, too.

Bonobo is another that pulls me instantly out of myself and into the narrative.

And because it just wouldn't be right not to mention it, Gannet actually has his own song: Beck's "Nobody's Fault But My Own." It has some of the same haunting quality of other things that I listen to, and it just speaks to that secret, troubled dude.

Also, that hot mess of a draft? I was so young. Forgive the dance scene with a strange variation of this tune to inspire me. There's a reason it was cut, even if I do fancy it now and again when I've drained that jam jar.

The Chosen One

Lovely artwork by John Hendrix, part of a Harry Potter tribute exhibition. Get lost ogling the entire collection here. I've written about the pleasures of re-reading before and, given the mounting madness of our present lives - attempting to find a new home for my work, a move, a new day job, and the unexpected closure of our child care - I've dived right into a forever favorite: the Harry Potter series.

I'm not sure there's a single reader or writer of my generation who hasn't been influenced by J.K. Rowling, whether it's losing themselves in her work or wishing those of who can would just get lost. I began reading when I was in high school, the spring prior to the release of Harry Potter and the Goblet of Fire. I was working in a library at the time, and I remember getting on the wait list for the fourth book and marveling at the hundreds of names ahead of mine... and the hundreds of copies the library had pre-ordered. Harry's pursuit of the Triwizard cup has always been my favorite of the seven, and I can only liken it to my childhood love of the Baby-Sitters Club Super Specials - that's blasphemous, right? But, really. They were bigger stories and different; familiar faces, unique challenges.

In the years since I read these the first time, I'd forgotten just how truly sly the Weasley twins were, how really awful Ron could be (and how easy he is to forgive), Hermione's unapologetically dogged nature... what a prat Harry sometimes could be. My love for Minerva McGonagall will go on and on, and while I'm no more sympathetic towards Professor Snape, I am considerably less willing to trust Albus Dumbledore.

But what surprised me most, and probably shouldn't have surprised me at all, was how well these books have weathered not only the years since their publication and my initial exposure, but me growing up. Though I was well past the age when I might have received a Hogwarts letter myself, I was still so young. I connected with the characters, I laughed at their jokes, I cried with them and was frightened with them. That hasn't changed, even though I know that I have. Harry's story is a timeless one, and I hope it's as much of a treat at forty as it was at (a little more than) thirty.

Because I can't wait to read along with my gals when they get big.

Turn and Face the Strange

1384191_177508902442195_1041543599_nI'm homeless. Or rather, my book is about to be.

My publisher, Fable Press, is succumbing to the fate that befalls many a small press and closing their doors within the next few months. I'll forever be grateful to them for taking a chance on my work and on me, and for bringing the world within The Hidden Icon to so many new readers.

I took a chance with them, too, and I don't regret it. I don't think it's possible to regret being published, ever, no matter the outcome. I got to feel like a Very Real Writer at Ohioana. The Hidden Icon was featured by my publisher at BEA last year. Friends and family members frequently shared photographs of my book on the shelves of their local libraries, and I scribbled my name in all of the copies at my favorite local bookstore.

People said crazy amazing things about it.

"Jillian is one of those rare writers whose characters communicate with a brush of hands what people in bodice rippers need pages of purple prose to say. The ending brought the house down."

"As a lifelong fan of fantasy, I have learned to settle for quick, flat characterization at times and for shaky or lazy world-building at others. I did not have to settle at all reading this book, and what a joy that was!"

"This book was written with flair, grace, and intricacy; it teased my brain, played with my heart, and left me desperate for more."

So, what's next?

Choosing not to self-publish means The Hidden Icon will no longer be available for sale on Amazon, so, get it while the gettin's good. Or, snag a copy for free. I'll be running several giveaways over the next few weeks on Goodreads. Rights to the book will revert to me soon, so, hopefully it will be out there in the world again someday.

I'll be starting closer to scratch than I thought it would be when it comes time to pitch the second book, but I'm not (too) scared. I can't be. There's too much writing and baking and loving on babies and living to be done.

 

Write Every Damn Day

Write every damn day. As a cat person, I largely ignore pictures of dogs. But a friend shared one the other day that made me giggle, and also cringe. I gringed? Criggled? Anyway.

It was intended to be funny to us writerly types who know what we're supposed to do but don't do it. The picture of the dog was captioned with advice for those who wish to finish a project, and it said simply, "Sit. Stay."

If a dog can do it, why can't I? *

When I read Amy Poehler's Yes Please a few weeks ago, I never expected that it would resonate with me in the ways that it did. I knew I would love it, because, Amy Poehler. But as a writer? "The doing is the thing. The talking and worrying and thinking is not the thing," she writes. And it's so damned true I ought to get a tattoo. I stew about projects and that's important, but it's not enough. The hardest, hardest part about the best advice for writers is that it should be easy. But it isn't.

Write every day. Even just a little bit at a time eventually equals a book, but I've been flirting with 50K for far longer than I care to admit. I have reasons - I am married to a Scorpio, I am the mother of two very young children, I work and work and work - but I also have excuses, which I readily employ when given an evening to write and spend it doing other things. I clean out a closet or weed my Facebook friends. I hand wash dishes. I re-organize the playroom. This loathsome stuff can wait. The writing can't, and shouldn't, but it does. Why?

Because it's hard. Because I'm tired. Because some evenings I'm crippled by the thought of being bound to what's out there, what's already written and read by people who aren't my best friend. Readers' expectations can be as terrifying as they are thrilling. But other evenings? Having readers makes it easy.

The zealots of stone and flesh fought on, those who dared come close vanishing in a sickly puff of smoke and oil and ash. I had the power to reduce a score of women to smudges, the stink of grease, but could not save even one. 

Hammering out that little gem today and sharing it reminded me why I do what I do instead of catching up on sleep. I don't write every day. But even getting a two or three-day streak in makes me feel like I could conquer my little domestic round of a world with a jelly jar of wine, a pair of earbuds, and an outdated version of Microsoft Office. I can do it. I should do it. I just need to learn to sit. I need to learn to stay.

 

* Maybe because I am a cat person?

Second Birth, Same as the First?

Here’s the thing about my second daughter’s birth. Nearly four months have passed and I still feel this sadness sometimes, this guilt that has no foundation. I still feel terror and uncertainty. I don’t know how to get it out. When I wrote my first daughter’s birth story, the word I used was “amazingsauce.” I can’t say the same for her little sister.

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It was 2:30 a.m and four days past my due date. I woke and wasn’t sure if what I was feeling was the real thing, as my first experience with labor had begun with my water breaking. I retrieved my phone, timed contractions alone in the dark before retreating to our back porch to call my midwife and my best friend, who was going to be with us for the birth.

I woke my husband. We’d agreed not to wait before heading to the hospital this time, given our first had arrived less than seven hours after my water had broken. It was safe to assume this labor would be faster, and I had no desire to give birth in a car.

We had to wait in the family lounge area for nearly an hour while they made room for me in triage, and then nearly again as long in triage while they tried to get enough time on the monitor out of a very wiggly baby. I breathed and breathed and chatted with my husband and my best friend in between. With my first daughter, I was already 8 centimeters by the time I got to the hospital, and they didn’t mess around. When I was finally checked this time, I was 5 centimeters, which was more than respectable, but still felt like a bit of a letdown.

Once in the delivery room, the midwife said something to me that I feel relatively certain is responsible for some of my bad feelings about my labor. She didn’t mean to, I’m sure, but she really psyched me out.

“You’re still able to talk normally between contractions. Telling jokes isn’t something I expect a woman in active labor to be able to do, so I think maybe you’re not quite there yet."

I told myself for the next few hours that I wasn’t “quite there yet.” I felt lucid and focused in between contractions that grew increasingly longer, closer together, and more intense. I didn’t let my support people support me because I kept telling myself that I didn’t need them. But I did.

A new midwife, my favorite in the practice, came on duty and rubbed my back. My husband let me squeeze his hands while I swayed from side-to-side on the birth ball. I was afraid to be checked for fear I wasn’t making progress, because instead of listening to my body, I was listening to the voice in my head that said it couldn’t possibly be that serious. I still felt completely in control. I still thought streaming some Star Trek might not be a bad idea.

My favorite midwife finally checked me. I was nearly 8 centimeters.

“Anything you need, just tell me,” she said.

“I don’t know what I need. I don’t know what I should do.”

“Well, either you’re going to tell me you need to push or your water’s going to break. And then you’re going to tell me you need to push.”

I had a shower then. The hot water drummed against my back and I pressed my forehead into the wall with each contraction, picturing a tide in my mind that swelled and retreated with each shuddering wave I felt in my body. I remember thinking to myself in the shower that I wanted someone with me just in case, that I just wanted someone with me, that it was strange to be laboring alone like an animal, kneeling on the ceramic tile like a bear or a cat on a slab of stone. I remember thinking that I was an animal, so maybe it wasn’t strange at all. I remember wondering how I’d write about this part of my labor.

I wonder now if I didn’t go through transition alone. That makes me feel like a boss but mostly just makes me sad.

I wriggled back into my labor gown in between contractions, my skin lurid from the too-hot water. I climbed into bed, the edges of the world blurring a little with each contraction now. The sun was up and fully, and I remembering thinking that this didn’t seem like the work of daytime. I thought that because I was still having thoughts I had some time yet, I was on top of this, it wasn’t nearly over.

But then it was and I wasn't. I was suddenly howling, and the midwife told me I needed to lie down and quickly. She felt the baby’s head. She said I could feel the baby’s head, too, but I didn’t believe her. With my first daughter, I pushed for two-and-a-half-hours. With my second, it was more like two minutes.

Likely this, too, is responsible for my strange and mixed feelings about her birth. I moved so quickly from masterfully breathing my way though every contraction to absolutely losing my shit to holding a baby that I can’t even process what really happened.

And I didn’t get to hold her straightaway. With my first daughter, those intense final few moments were followed by this beautiful calm, her serene little body placed on my belly, her cord ceremoniously cut by my husband, our doula smiling at my shoulder. I relaxed almost immediately.

My second daughter had the cord wrapped so tightly around her neck the midwife told me to stop pushing. I remember looking at her, panting, “I can’t, I can’t.” I felt like every part of me was stretched and ready to snap. My eyes and mouth felt as tight as my belly. She said I had to. She cut the cord as soon as my daughter's head was free, and only after could she finish delivering her.

There was lots of shouting, then, and I saw the slick little body in my favorite midwife’s hands as she rushed into the adjacent room. I looked at my husband. Our eyes had followed the baby who wasn’t crying. My legs were shaking and my hands, too, where I held his and the rail of the hospital bed.

“Is it okay?”

“It’s okay.”

He didn’t know but he said it anyway. We didn’t know then, either, if our baby was a boy or a girl. With our first daughter, that announcement had been special, it had been his. Now it didn’t seem to matter. I was burning up to hold that baby in the next room, the baby that wasn’t crying.

It felt a lot longer than thirty seconds but it can’t have been more than that before she was. There were tears in my husband’s eyes. Even as he released my hand to move around the bed to go and see what we’d made, a nurse who’d rushed in and hadn’t been there for the delivery turned to look at us.

“She’s really mad now,” she said, and laughed.

We laughed, too.

I was holding her within a minute and I couldn’t get a good look at her, could only hear her damp little breath against my chest. She was gray and purple and red and I still felt like a maniac. I’d torn with my first daughter and I tore with her, too, but this time my husband had to gently remove my hand from her back as I was tightening my grip with every stitch. I was shaken and I shook.

Sobbing to my favorite midwife weeks later, she told me she’d left the birth thinking it had been beautiful, that I’d done a wonderful job. She said she’d been impressed with my ability to cope, that she wouldn’t have guessed I was ever as far along as I was, and that I’d performed as any other mother would have during a natural labor with such a swift conclusion. I couldn’t articulate to her then and I barely can now why I am still upset by my second daughter’s labor. I told her I’d felt like a crazy person. I was ashamed of unraveling the way I did, even though I know that unraveling is part of the process.

The first time I hadn’t known what to expect and so I hadn’t had any control. I’d surrendered to what was happening because there didn’t seem to be any other way to do it. This time, I was afraid because I knew just what to expect, and I thought I could stay on top of it because I’d done it before. And I did, for a really long time. And then I couldn’t, and it terrified me.

I had two natural childbirth experiences. Two short labors. I had no reason to expect they would be similar but they were more different than I could have imagined.

On the day my second daughter was born, I don’t believe I really settled as her mama until we were in the room that would shelter us during our hospital stay. After I’d had a shower and she’d had a bath, our skins were similarly flushed and pink. We both ate, and heartily. She drifted off to sleep and it finally seemed safe for me to sleep, too.

Five Favorite Reads of 2014

I'm embarrassed by how little I've managed to read this year. But I really ought to be kinder to myself, given I was enormously pregnant during a long summer in a vigorous teaching program, and then, you know, I had a baby. But I'm no good at taking it easy on myself, which is why I've already finished two books this month and am working on a third. You're likely to hear about both when I share my favorite reads of 2015, because, so good.

Yet, there were a few gems among my too-few reads of 2014.

The Girl With All the GiftsThe standout favorite for the year was easily The Girl With All the Gifts, which I can't hardly say a thing about without spoiling the early reveal. Needless to say, it takes a genre that I thought didn't have much more to offer in a brilliant direction. It's gruesome and fantastically imagined and heart-achingly lovely. If you read anything I read this past year, read this. Because I want to talk to you about it.

I have a love-hate relationship with The Thinking Woman's Guide to Real Magic, because while I am utterly enamored with the premise and the world Emily Croy Barker so painstakingly creates, she needed an editor. Badly. Possibly a machete. And as much as I was willing to float along when the narrative slowed, there was very little payoff at the book's end. I was as livid to learn there would be more after reading for so long assuming I'd get some closure as I was salivating at the prospect of more. I guess that means it's a winner?

BernadetteWhere'd You Go, Bernadette was a bizarre, clever romp I would never have picked up for myself and that's why I'm so glad I read with some gals who have such good taste. The fact that the author wrote for Arrested Development isn't surprising, but unlike many - and possibly all - of the Bluths, the quirky characters that populate this novel have real heart, in addition to being delightfully off-kilter. It's like Portlandia meets Gilmore Girls.

Gidion's Hunt is The Lost Boys film I actually wanted. Bill Blume's narrator is genuine and genuinely likeable, not even just for a teenage boy, and there's some real bite to this vampire yarn. He tells me he's editing the sequel, and I'm trying to be the polite writerly friend and not say, Gimme.

LongbournWhile I was a little fearful of reading Longbourn and sullying forever my love of Pride & Prejudice, I can now heartily recommend it to anyone who wants more from their Austen-inspired work than just more shirtless Darcy (though that's cool, too). The intimacy in Longbourn is of a different kind, but no less tantalizing. I was fascinated from a historical perspective as well as a literary one. I also liked getting more reasons to despise Wickham.

So, there you have it. What did you read this year, and how many nights of good sleep did you miss reading it?